Showing posts with label random rubbish. Show all posts
Showing posts with label random rubbish. Show all posts

The Gospel of Scissors Paper Rock

animation to illustrate scissors paper rock, by SRS/CR/MMIn Japan, Mushi-ken is one of the earliest rock-paper-scissor or sansukumi-ken games. Published in the Kensarae sumai zue by Yoshinami and Gojaku. From left to right: Slug (蚰蜒 namekuji), frog (蛙 kawazu), and snake (蛇 hebi). The frog defeats the slug, the slug defeats the snake, and the snake defeats the frog. (Wikipedia 26 Nov. 2016)
Rock blunts scissors
The massive dead stone of ignorance and superstition blunts and smashes the keen sharp mind seeking truth.

Scissors cuts paper
The mind that is too keen and too sharp cuts the paper on which truth is written into disconnected shreds of reductionism and limited perspective.

Paper wraps rock
With lightness and breadth, truth enfolds and conceals the massive dead stone of ignorance and superstition.

Published in MANIC MEMES & OTHER MINDSPACE INVADERS, a disturbing repository of quirky quotes, sayings, proverbs, maxims, ponderances, adages and aphorisms. This menagerie holds no fewer than 184 memes from eight meme-species perfectly adapted to their respective environments. for kindle, tablet, smartphone or e-reader.

Ninja-boy and the clouds

In the dead of the day the ninja crept like a wounded hyena toward its prey. No clouds crossed the sky; the ninja wondered why. He had always wondered where the clouds go to die: a practice that had cost him dear over the years. The times, for instance, when as a boy he had turned to his father and plaintively enquired, "Oh where do the clouds go to die, daddy-san?" only to receive a swift box about the earhole, and the stern rebuke, "What the crap are you bleating now, shit-fer-brains? Jus' eat your rice and shut the fuck up!"

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The Bindu of a Naked Numbskull

Portrait of Thomas Aquinas painted by Carlo Crivelli, 1476
"How many angels can dance on the point of a pin?" is a question first asked by such truth-seekers as Aquinas in the glorious age of scholasticism, when metaphysical nitpicking, hair-splitting and name-calling were the order of the day.

Counting angels is not easy when they’re standing still, let alone jitterbugging on emptiness. And if the dimensionless point at the end of a pin were as infinitely rich in potential as the bindu of Hindu metaphysics, to count the angels you'd need some really tight air traffic control.

But if the point were a dome, and the angels were very thin, how many could dance on the head of a bald man?

Becoming bald is a process involving a diminishing number of hairs. But let's get specific. At the loss of which hair, precisely, can the label "bald" validly be applied? Or, if you're loading straw onto the back of a camel, what is the number of the straw that breaks the camel’s back?

Most if not all questions about moving from one state to another involve a paradox. According to the ancient Greek philosopher Zeno, motion is an illusion, and yet he sat on many stools. Paradoxes are like boogeymen: they seem scary and threatening but when you look closely they lack substance. Most if not all paradoxes emerge from the inherent limitations of human thought and language. Resolving them is simply a matter of accurate definition.

For instance, baldness could be defined as the mean headhairiness density of 0-2 hairs per square centimetre across more than 94.2% of naked numbskull.

Alternatively, we could apply a reductive definition paradigm based on recursion theory. If a full head of hair comprises, say, a million hairs, baldness could be defined as the phase transition marked by the loss of hair #999,678, and absolutely and totally bald, as the end-state marked by the loss of hair #1, i.e. the ultimate hair (hair #2 is the penultimate).

Similar methods can be applied to counting straws and camels.

Now if there’s no bijection, this post can draw to an ignominious close.

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Sign of success (dream)

I am employed by a firm of consultants. My office is in the middle of the alfresco dining area of a luxury hotel. I am happy. I feel good. I am not concerned about the fact that my office is in a terrible mess: papers everywhere, ashtrays full of butts and ash, and strange green caterpillars crawling all over the back of my chair.

The caterpillars have long, bristly hairs. Could they be dangerous? Are the hairs tipped with potent neurotoxins? Should I kill the caterpillars? I decide not to.

I find a sign on which most of the lettering is faded and illegible but I can read some of the words: "Director of Superannuation… in honour of… recognition… excellence…"

Two workmen enter the office wanting to affix the sign. We have a friendly conversation. I say "I'm amazed, astounded, really bowled over. Nobody tells me anything. It's the first I've heard of it. Without any inappropriate modesty I feel it is richly warranted…"

The workmen respond by saying they have known about it for some time--the fact that my achievements are to be recognised by means of the sign. The workmen go away. I go for a walk in the garden. When I return, the sign is no longer to be seen. I search my office, but the sign is nowhere to be found. The green caterpillars are still crawling on the back of my chair. I am not worried, or upset. I feel cheerful. I suspect the workmen may have taken the sign. But they probably have a good reason for doing so. I don't know what that could be.

President Bill Clinton enters the office. He is CEO. He knows about the sign. We look for it together.

"You are one of my best generals," he says to me.

Beatings for One Person Each

Painting by William Blake
Basil baulked at bulk-bashing
Preferring to inflict higher quality beatings
On fewer victims

Bernadette broke a sweat placing bets
Her bibliophilous solution-toed calculi
At longer odds and shorter jockeys

David the pecs was tortured to death slowly
His bibulous problem-head unwhole he
Glugged a bevvy of big-bosomed babes

Unsolved on ebay, watch: onsold
To unrealtor Esmeralda Glutz
Unreal water but no crusts in all her dusty huts