Showing posts with label srs artworks. Show all posts
Showing posts with label srs artworks. Show all posts

Crimson King

Crimson King Court of the Crimson King, 35 x 45 cm, oils on canvas

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eBooks by Cosmic Rapture
(for kindle, tablet, smartphone or e-reader.)

NIGHTMERRIES: THE LIGHTER SIDE OF DARKNESS. This so-called "book" will chew you up, spit you out, and leave you twitching and frothing on the carpet. More than 60 dark and feculent fictions (read ‘em and weep) copiously and grotesquely illustrated.

AWAREWOLF & OTHER CRHYMES AGAINST HUMANITY (Vot could be Verse?). We all hate poetry, right? But we might make an exception for this sick and twisted stuff. This devil's banquet of adults-only offal features more than 50 satanic sonnets, vitriolic verses and odious odes.

MANIC MEMES & OTHER MINDSPACE INVADERS. A disturbing repository of quirky quotes, sayings, proverbs, maxims, ponderances, adages and aphorisms. This menagerie holds no fewer than 184 memes from eight meme-species perfectly adapted to their respective environments.

MASTRESS & OTHER TWISTED TAILS. An unholy corpus of oddities, strangelings, bizarritudes and peculiaritisms, including but not limited to barbaric episodes of herring-flinging and kipper-kissing. A cacklingly bizarre read that may induce fatal hysteria. Not Recommended!

FIENDS & FREAKS and serpents, dragons, devils, lobsters, anguished spirits, hungry ghosts, hell-beings, zombies, organ-grinders, anti-gods, gods and other horse-thieves you wouldn't want to meet in a dark cosmos. Immature Content! Adults Maybe.

HAGS TO HAGGIS. An obnoxious folio featuring a puke of whiskey-soaked war-nags, witches, maniacs, manticores and escapegoats. Not to mention (please don't!) debottlenecking and desilofication, illustrated. Take your brain for a walk on the wild side. Leave your guts behind.

The Great Reset

The Great Reset -- Oil on canvas, 62 x 92cmThe Great Reset -- Oil on canvas, 62 x 92cm
Two thousand and twenty was a year of great plenty
...of worries and troubles and woe!
This year let’s just hope that we’ll manage to cope
but will we? I really don’t know.

Let’s try and remember at least till December
the lessons that lockdown has taught us.
Lest we forget and remain in huge debt
mourning what money once bought us.

If you worked from your home, with no need to roam
don’t whine about missing the City.
You still had a job, so don’t cry and don’t sob
instead try to learn about Pity.

When you’ve finished your crap, just turn on the tap
don’t sweat if you’ve run out of paper.
Or use some dried grass to wipe off your ass
or a stick as a handy shit-scraper.

If wearing a mask is an onerous task,

Random Walk

Random Walk, by SRS, 30.5 cm x 25.5 cm. Oil on canvas.
First new painting in a while ... a long while. And thank Christ for that! It's 30.5 cm x 25.5 cm, oils on canvas. Called Random Walk, oddly enough... Finished in 2018.

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Shall I Sing to Thee of Hatred?

DOJO OF ABS, oil on stretched canvas 39.75 cm x 50.25 cm. A horrible work, don't like it at all. DOJO OF ABS, oil on stretched canvas 39.75 cm x 50.25 cm. A horrible work, don't like it at all.
Shall I sing to thee of hatred
whilst the rancid wine-red moon
lies plump upon a sullen sky, beloved?
Or doth thy internecine inclinations
bereft of paradigmatic meaninglessness
assert thy drolly wrothful commands?

As you feed the gentle drops of blood
caress your cheeks like crimson tears, my love
calling forth sweet morphogenetic memories
of all the times we’ve slain together
the line of carcasses stretching to eternity
death-lily delineating forevermore.

Shall I woo thee with insurance
until the gibbous enormity patronises
the very longitude of marsupial afterbirth, dollface?
Or would’st thou engrave betwixt delinquent carnage
thrice-flailing widdershins encircling
sublunary solemnity’s crepuscular astrolabe?

Forsooth! And whence thy infinitesimals
thy gaping quiescence incarnadine
fistula-festooned but buttery, sweet cheeks?
Or durst thee verily impignorate
thy carious kynodontic blandishments
whence fulsome gadzookery ...

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Work shall set you free

Arbeit Macht Frei, by CR/MM/SRS, oils on board, commenced 2005 finished 2014, 54.5 x 74.5 cm"Arbeit macht frei" is a German phrase meaning "Work shall set you free" found above the entrances to a number of Nazi concentration camps during World War II.

More than 70 years later, almost everyone is an inmate of the global concentration camp of modern human culture. Work doesn't make us free, it enslaves us.

A person at work is a person with no identity. Ze is not a person, just a uniform, a suit. A person at work has no mind of zer own, no brains, no head. As the painting suggests, the body of a person at work ends at the neck.

The corporatisation of human life and culture proceeds at an accelerating rate. One of the results is the destruction of our humanity itself. Another is the destruction of the planet.

A person at work is a psychopath with no personal values, just a fake but hearty enthusiasm for the values of the corporation. Every morning, when we walk into the workplace, we leave our personal values at the door. We're all psychopaths, these days, or sociopaths if you're into labels. We repress and suppress our personhood, our empathy, at the behest of the employer. That's why there are cruel red eyes in the lapels of a pin-striped suit. They are the insane eyes of one who has lost zer personhood.

And yet, as Jesus is said to have said, "Consider the lilies of the field, how they grow; they toil not, neither do they spin. And yet I say unto you, That even Solomon in all his glory was not arrayed like one of these."

And here we are, 2000 years later, toiling and spinning for dear life, and not liking it very much at all.

Painting by SRS, oils on board, 54.5 x 74.5 cm.

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Can't do nothing properly!

Drawing by SRS One day dad went into McDonald’s for a burger but it was quite busy and he had to wait in line. Also, the teenage staff weren’t very efficient: one was flirting with a boy, another was talking on her phone, and another was just plain slow and useless full stop.

Dad got more and more impatient. He had a terrible hangover and all he wanted was a nice greasy burger to throw to the pain in his gut.

Finally, he got to the head of the queue and grumpily placed his order but was told it wasn’t ready and could he wait a couple minutes. That got him steaming mad.

The Riddler

Audio composed and performed by SRS
The Riddlee asked the Riddler,
"Oh won't you riddle me?
that I may pass from hence to thence
upon the Count of Three?"

"Just one riddle," the Riddlee said,
"no less nor even more
that I may move along the groove
that leads to the Earl of Four."

Quoth the Riddler to the Riddlee
“A riddle I’ll contrive
that you may travel across this gravel
towards the Duke of Five.”

“For Fuck’s sake,” quoth the Riddlee
“Quit your stupid tricks
time is fleeting; I’m late for my meeting
with the Marquis at Six!”

The Riddler grinned an evil grin
and counted to eleven
but all four nought: he stopped three short
upon Viscount of Seven.

The Riddlee pondered for a while
then said “I’ll tell you straight:
just add one, now I must run
to meet the Baron Eight.”

See what you look at (Daemonide)

The video aims to suggest a process of self-examination, which inevitably leads to self-reflexive paradox.

Good for meditating to: Turn and look at yourself, as if turning a glove inside out. What you see is the Universe looking at you. The Eye sees the I. Me go, says Ego. But as the Tibetan Book of the Dead says, "Do not meditate, for there is nothing to meditate upon".

No, that's all rubbish. Don't believe a word of what I've just said.

The video is just about me indulging my habit for self-indulgent angst in multiple media.

The late great Robert A. Heinlein came up with the concept of “pantheistic multiple-ego solipsism”, which seems somehow to describe the painting: SEE WHAT YOU LOOK AT, oils on canvas, 46 x 35.5 cm, started in 2006 finalised in 2012. Audio composed by masterymistery: DAEMONIDE, featuring a range of midi instruments. Thanks to Antares for the Heinlein quote.

SEE WHAT YOU LOOK AT, oils on canvas, 46 x 35.5 cm, started in 2006 finalised in 2012.

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