Showing posts with label dreams and visions. Show all posts
Showing posts with label dreams and visions. Show all posts

Dreamtime: the De-flattening (wild turkey dreaming)

Supposedly the biggest monolithic rock on the planet, Supposedly the biggest monolithic rock on the planet, "Uluru, ... also known as Ayers Rock ... is a large sandstone rock formation in ... central Australia. ... Kata Tjuta, also called Mount Olga or the Olgas, lies 25 km (16 mi) west of Uluru." (Wikipedia, 2 Dec. 2016)
Animation combines photograph of Uluru by Mark Gray (markgray dot com dot au) and bark painting of rainbow serpent by John Mawurndjul.
In the Dreamtime before time and space the Great Serpent Koniara slithered and thrashed mightily, creating the Land of Oz, the Sky above, and the Sea that washed its shores. And when his mighty slithering was done, Koniara called a great Corroboree to honour his creation.

Among those who came to the Corroboree was the scaly crocodile, Gumungung, who spake unto Koniara, saying, “O Great One, what thee or thou have wrought is awesome and immense, but there is no colour, no excitement, no magic or joy in the Land. As far as the eye can see, all is red and brown and flat as a toenail. And that’s more dull and boring than a pub with no beer. And newsflash: it’s also way too frickin’ hot!”

“My sacred doings be not to thy satisfaction,” quoth Koniara unto Gumungung, “and yet I made the whole ball of wax in just two days not six, and I didn’t need to chuck a sickie on the seventh neither.”

“More elbow grease maybe, that might have helped,” quoth Kuruku the Kookaburra, whose laughter rang out long and loud in the dry and beerless air.

Random Walk

Random Walk, by SRS, 30.5 cm x 25.5 cm. Oil on canvas.
First new painting in a while ... a long while. And thank Christ for that! It's 30.5 cm x 25.5 cm, oils on canvas. Called Random Walk, oddly enough... Finished in 2018.

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Brothers dreaming

Once upon a night, a nine-year-old boy named Cain dreamed he was soaring like an eagle in the skies above a land so beautiful that he wept with joy.

He felt so full of wonder and delight that he called out to his younger brother Abel, asleep in the bunk below. Cain wanted Abel at his side, flying through the air of that mysterious land. Cain knew in his heart it would be a long time and a far way before he’d see those colours or hear that music again.

The next morning Cain felt off-balance. He was happy and excited, as if he had discovered a great secret that would change everything. But he was also angry and resentful that he had to get up and go to school. He wished he could just go back to sleep and resume the magic dream.

Abel woke up that morning feeling hot and dizzy. Their mother, Eve, took one look at his pale sweaty face and said “no school for you today sweetie, you must be coming down with something.”

Then Cain said “he’s faking, it’s not fair…” and Abel said “am not!” and Cain said “liar liar your pants are on fire!” and Abel said “well your pants smell like poo!” at which point Cain flew at his brother in a rage, throwing punches as hard and fast as he could.

The Assembly of Peaceful and Wrathful Deities

The male buddha Vairocana in union with the female buddha Akasadhatvisvari. Thangkas painted by Shawu Tsering and photographed by Jill Morley Smith are in the private collection of Gyurme Dorje.The male buddha Vairocana in union with the female buddha Akasadhatvisvari.
This post is about the so-called "peaceful and wrathful deities" in The Tibetan Book of the Dead (deluxe edition, Penguin, 2005).

Here's a crude summary: when you're dead, initially you may encounter things that may seem to be deities but which are really just products of the mind/imagination.

According to the Book (p 387), the deities are symbols that emerge from:

the meditator's own awareness ... and sensory and mental processes.

The 42 symbols of peacefulness:

represent the quiescent natural purity of these fundamental components of our being.

Sign of success (dream)

I am employed by a firm of consultants. My office is in the middle of the alfresco dining area of a luxury hotel. I am happy. I feel good. I am not concerned about the fact that my office is in a terrible mess: papers everywhere, ashtrays full of butts and ash, and strange green caterpillars crawling all over the back of my chair.

The caterpillars have long, bristly hairs. Could they be dangerous? Are the hairs tipped with potent neurotoxins? Should I kill the caterpillars? I decide not to.

I find a sign on which most of the lettering is faded and illegible but I can read some of the words: "Director of Superannuation… in honour of… recognition… excellence…"

Two workmen enter the office wanting to affix the sign. We have a friendly conversation. I say "I'm amazed, astounded, really bowled over. Nobody tells me anything. It's the first I've heard of it. Without any inappropriate modesty I feel it is richly warranted…"

The workmen respond by saying they have known about it for some time--the fact that my achievements are to be recognised by means of the sign. The workmen go away. I go for a walk in the garden. When I return, the sign is no longer to be seen. I search my office, but the sign is nowhere to be found. The green caterpillars are still crawling on the back of my chair. I am not worried, or upset. I feel cheerful. I suspect the workmen may have taken the sign. But they probably have a good reason for doing so. I don't know what that could be.

President Bill Clinton enters the office. He is CEO. He knows about the sign. We look for it together.

"You are one of my best generals," he says to me.

See what you look at (Daemonide)

The video aims to suggest a process of self-examination, which inevitably leads to self-reflexive paradox.

Good for meditating to: Turn and look at yourself, as if turning a glove inside out. What you see is the Universe looking at you. The Eye sees the I. Me go, says Ego. But as the Tibetan Book of the Dead says, "Do not meditate, for there is nothing to meditate upon".

No, that's all rubbish. Don't believe a word of what I've just said.

The video is just about me indulging my habit for self-indulgent angst in multiple media.

The late great Robert A. Heinlein came up with the concept of “pantheistic multiple-ego solipsism”, which seems somehow to describe the painting: SEE WHAT YOU LOOK AT, oils on canvas, 46 x 35.5 cm, started in 2006 finalised in 2012. Audio composed by masterymistery: DAEMONIDE, featuring a range of midi instruments. Thanks to Antares for the Heinlein quote.

SEE WHAT YOU LOOK AT, oils on canvas, 46 x 35.5 cm, started in 2006 finalised in 2012.

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